Friday, September 30, 2011

Hölderlin and Version Control

The German poet Johann Christian Friedrich Hölderlin (1770-1843) wrote his first drafts usually on the right half of the right page of a folio sized notebook (Heft). He left the back of this page empty, so he could use the left part of the page and the back side of the previous page for revisions and reformulations. He thus always had three times the space for later work than he used for the first draft.

Sometimes he wrote a rough sketch on the lower part of next page that was separated by a continuous line from the rest of the manuscript. As this sketch was worked out, he transferred its contents to the upper part of the page.

This approach was not unusual for the eighteenth century and various versions of it survived into the twentieth century. Thus, I was taught (late fifties, early sixties) to divide every page in a notebook in half by folding it (and then flatten it again). The first draft was to be written on one the right half of the page. The other half was to be used for revisions. What makes Hölderlin's approach remarkable is that he planned for three times the revisions (and apparently used up the space as well). Among other things, this shows that his poetry was not the result of sudden inspiration, but of gradual reworking of the first draft. The editors of the Frankfurt Edition of Hölderlin's work like to speak of "ideal growth."

Whether "ideal" or not, this kind of growth is difficult to see in an electronic text, unless, of course, the author used version control. This may not be a bad thing entirely.


JWS02459 said...

Interesting! I realize that I know nothing about how late 18th / early 19th century writers went about procuring notebooks. Were that made to order by book binders from folio sheets or could they be purchased from book sellers already bound? And would there have been anything unusual about working with a folio sized notebook? That seems rather large (obviously not something you'd carry to a coffeehouse!).

MK said...

Often they were stitched together by the writer himself/herself (at least in the eighteenth century).

I don't think there was much writing going on in coffee houses. The ink well, the quill, etc.

Franz Grieser said...

Hi Manfred.

Interesting. Do you happen to know why Hölderlin used the right part of the page for drafting and not the left one?

Thank, Franz

MK said...

think the reason is that he wanted to use the backside of the previous page for further notes. It could also be that he was left-handed (but I really don't know).

The way I was taught was always to use the outside half, i.e. left on the left page, right on the right page. And I think the reason was that it was easier to write on the outer side. The left side (on the right and right side of the left) is where the staples are and your writing would be more cramped.

Franz Grieser said...

That makes sense. Thanks, Franz